About Guillermo Décimo
Guillermo Décimo (GX) doesn’t respond to the chaos of the world by adding more noise. He responds by creating beauty… And these days, that alone feels like a form of resistance.
At a time when everything moves too fast; trends, social media, the constant pressure to produce and be seen… his work moves in the opposite direction. Slower. More intimate. More human. There’s something quietly rebellious in the way he chooses sensitivity over spectacle.
When Guillermo talks about fashion, he doesn’t speak like someone who carefully chose a career path. Designing seems to have arrived naturally for him, almost like an extension of who he already was. Creating isn’t just something he does for work; it’s the way he understands the world around him.
Ideas come to him everywhere. Walking, observing, living. And while he admits it can sometimes be exhausting to never fully disconnect, he also doesn’t seem interested in escaping it. He genuinely loves what he does, and that becomes obvious the moment he talks about it.
About his philosophy
Maybe the most compelling thing about Guillermo is the honesty in the way he lives fashion. He’s not performing characters. He doesn’t build an artificial version of himself. He wears his own designs, tests them on his own body, and approaches clothing through pleasure and curiosity rather than provocation. Even when he wears pieces some people might consider bold, nothing about it feels forced. It all seems completely natural on him.
And although many people imagine the runway as the glamorous peak of fashion, Guillermo sees it differently. The real work happens long before the lights come on: the sewing, the fittings, the mistakes, the repetition, the quiet exhaustion of starting over until something finally feels right. That’s where the real tension lives.
Still, even in such a demanding process, Guillermo never speaks about himself with cruelty. He’s perfectionistic, yes, but not destructive. If something doesn’t work, he simply keeps moving. Adjusts. Refines. Tries again.
There’s also something incredibly free about the way he moves between masculinity and femininity. He doesn’t seem interested in labels or debates. His red nails, the softness in certain gestures, the elegance he projects — none of it feels calculated to provoke people. It’s simply part of who he is. And maybe that’s exactly why it resonates so deeply. Because instead of forcing a message onto people, Guillermo leaves room for everyone to find their own meaning in his work.
Work & Mindset
When he talks about inspiration, images of classic films, old Hollywood glamour, elegant silhouettes, and romanticized versions of the past naturally appear. Not because he believes those times were perfect, but because he’s drawn to a kind of beauty that feels increasingly absent from the present.
That same mindset explains why he rejects disposable fashion. He isn’t interested in making clothes meant to survive one season before disappearing. He wants to create pieces with intention, structure, and permanence. Garments that hold something emotional inside them. And maybe that’s what makes his work feel so personal.
Because when Guillermo looks at a finished piece, he doesn’t just see fabric. He sees time. Memories. Fragments of life.
Associate Editor, Fashion & Culture
Meet Omar Enrique Matos: part aficionado writer, bespoke tailor, radio host, and former fashion booker. With a flair for fashion and a penchant for fun, Omar seamlessly blends expertise an passion with entertainment. From crafting bespoke suits to sharing style secrets on air, he’s a true Renaissance man of the fashion world.